December 7th

It’s nearly time to get the mistletoe out, isn’t it.

Robert Scanlan vintage GPO poster 1961 post early

Today’s poster is from 1961, and is by Robert Scanlan, who I’ve never come across before.  Although he’s not helping himself by not signing this poster.

But the London Transport archive tells me that he not only did this rather appealing pair poster in 1949.

Robert Scanlan pair poster London Transport 1949

But also this in 1960.  Which is, as the phrase goes, iconic.

Robert Scanlan vintage London Transport poster 1960 Picasso

So I should have heard of him.  Silly me.  But if anyone knows more, or has an idea of what he did between 1949 and 1960, do let us know.

Door 6

We’re still posting early, oh yes we are, but this week it’s all a bit more modern.  Today, for example, we’ll be doing it in 1966.

Hans Unger Post Early vintage GPO poster 1966

This is by Hans Unger; it’s rather different to most of his work that I’ve seen, but it’s still good.  And you can buy this one as a Christmas card too.  More of Unger’s work to come later this week, as well.

the fifth

Today, by way of a breather from the GPO worrying about last posting dates, some advice from National Savings.

Vintage 1950s National Savings poster about Christmas

I can’t tell you anything about this poster, other than it proves my theory that most National Savings posters weren’t design masterpieces.  I would, however, like her coat.

Tomorrow, we’ll be back to normal, with good design but more posting dates.  See you then.

4th December

Just in case you hadn’t noticed yet, the Post Office are very keen that you post early.

Alick Knight vintage post early for Europe GPO poster

In this case, they’re worried about it in 1959, and the poster is by Alick Knight, about whom I know nothing at all, but who does seem to have done a lot of posters for the GPO.  Including this one from 1951 (borrowed from the BPMA archive) which is wonderful, if a bit small.

Alick Knight robins small from BPMA 1951

Door 3

Another miniature today, but this time it’s singing postboxes.  Obviously.

Pieter Huveneers vintage singing post boxes GPO Christmas poster 1957

They’re the work of Pieter Huveneers in 1957.  They also exist in portrait format (below) but I think I prefer these ones.  Does anyone know where these small format posters were displayed?

Pieter Huveneers vintage singing post boxes GPO Christmas poster 1957

Maybe four is a jollier number for carol singers.

(Apologies for the quality of some of the photographs  by the way – they were only ever meant as reference shots for us, well before Quad Royal was ever thought of, never mind an advent calendar.  I am going to go and reshoot some of the worst offenders when I get a moment.)

Old Romantics

I’ve been meaning to write about this book for a few days now, although I was going to wait until I’d finished it.  It’s Romantic Moderns: English Writers, Artists and the Imagination from Virginia Woolf to John Piper, by Alexandra Harris, and it’s brilliant.

Romantic Moderns Alexandra Harris book cover

But now it’s only gone and won the Guardian First Book Prize, so I thought I’d better post something before it turns into stale news.

The main thing I want to say is that it’s a fantastic book.  Not only is it clearly a great piece of research and art historical thinking but, joy of joys, it’s written to be readable.  Very readable in fact.

And it’s speaking to us.  To start with, any book which has this as a frontispiece,

McKnight Kauffer autumn vintage London Transport poster
McKnight Kauffer, 1938, How Bravely Autumn Paints Upon The Sky.

and this on the back cover has to be worth a visit.

Vanessa Bell Alfriston vintage shell poster 1931
Vanessa Bell, 1931, Alfriston.

But the whole book is in fact an extended consideration of a subject that I’ve been mulling over here before now: the relationship between being modern and being British/English.  Here’s Paul Nash on the subject in 1932, in a quote I’d never seen before.

Whether it is possible to ‘go modern’ and still ‘be British’ is a question vexing quite a few people today […] The battle lines have been drawn up: internationalism versus an indigenous culture; renovation versus conservatism; the industrial versus the pastoral; the functional versus the futile.

The functional versus the futile is a great distinction, and one which makes me realise that I am probably on the side of the curlicue every time.

As I said, I’ve not got to the end oyet, so I can’t report any grand conclusions.  But I’m not sure that there are going to be any to be had.  The book’s genius is the way it meticulously goes through the details of art, architecture, theory and influences, mapping relationships, conflicts and coincidences.  Here you will not find the underlying narrative of modernism, or Britishness, or of any other ideology, just the complexity of things as they happened.

All of which should be more than enough to convince you to put Romantic Moderns on your Christmas list on its own.

But I’m finding the book even more compelling than that, because it contains almost everything that I am interested in.  That’s not just Bawden and McKnight Kauffer, Ravilious and Shell posters, the Johns Betjeman and Piper, but also a whole host of things that never find their way into this blog: aerial archaeology, Wiltshire, English regional food, gardening, Elizabeth Bowen and Virginia Woolf.

It feels as though someone has rifled through the piles of random facts in my head, sorted them out and then explained them back to me much more clearly than I could ever have done.  It’s an interesting, if not entirely comfortable sensation; and one which also makes me realise just how much my sensibility and interests are rooted in these times and ideas.

A proper consideration will follow when I have finished it, but I do also have to say that it was worth the price of admission to discover this alone.

John Piper Archaeological Wiltshire - genius

Archaeological Wiltshire by John Piper.  I used to live in that view, literally and figuratively.  Now, back to the book.