Guardian writer bien informée

I’ve been overtaken by events over the last few days, which has eaten into my thinking and posting time more than I would have liked.  Fortunately, Sam Leith in today’s Guardian has been writing intelligently about posters, so that I don’t have to.  His points about the decline of lithography and the absence of concept apply to more than just political posters.

He’s using the newly revamped and re-opened People’s History Museum in Manchester for the posters which prove his point.  They do have an excellent digitised archive too, so you can wander through their collections and draw your own conclusions.  The images, however, are still a bit ropey.  Here’s one poster I liked, a touch green perhaps.

vintage green potato harvest poster

But the other Civil Defence one above actually comes from our own collection, as their image from the same series was more of a collection of pixels than anything else.  But I’m sure that’s just teething problems.

(And yes, I know, our images aren’t that great either.  We only took them as mug shots for our own reference, not having any idea that they might end up out there on the web.  So apologies if a) they are less than orthogonal, and b) you see more of our floor that you might strictly wish to.)

Meanwhile, elsewhere on the web, you can buy  this:

femme bien informee london transport poster

Possibly the only time you are going to see the words Harry Stevens and Art in the same sentence.  There on the other hand, it is only £9.99 at the moment.  On eBay of course.

Four posters in search of a story

I’ve always been interested in the afterlife of objects – how things survive long enough to become collectibles or heirlooms or even national treasures.  It’s generally a story of chance and – quite often – being so lost and overlooked that no one bothers to throw you away. It’s also a story that isn’t often told as part of design history; once an object has been created and made, that’s normally the end of it.  But often what happens next is at least as interesting, and can also be very revealing about how we appreciate, or disregard, the objects around us.

So, following on from yesterday’s post about just how little survives, here are a few of our posters with the tales of how they made it through to the twenty-first century.

Tom Eckersley Post Early GPO poster
Tom Eckersley, Post Early for GPO, 1955, Crown Folio 15″ x 10″
Saved by a man who went into his local post office and asked them to keep for him all of the posters and publicity material that they had finished with.  (I will write more about this one of these days as it’s worth a whole post in its own right.)

Henrion London Underground Vintage poster Changing Guard
F H K Henrion, Changing of the Guard for London Transport, 1956, Double Royal 40″ x 25″
Kept by a tutor in graphic design who used it in his teaching.

Mount Evans no smoking poster
Mount/Evans, Anti-Smoking poster for COI, 1965-ish, Double Crown 30″ x 20″
Bought at auction but I believe it came from the designers’ own archive.

McKnight Kauffer ARP vintage poster
ARP Poster, Edward McKnight Kauffer, 1938, Crown Folio 15″ x 10″
Found in the roof of a scout hut.  The air rifle pellet holes had to be restored…

Patrick Bogue from Onslows also mentioned in passing that he once found original railway poster artwork being used as insulation in a loft space.  Can anyone better that?