Tom Purvis Archives - Page 2 of 2

Horses, sorry, modernism for all

Crownfolio is thinking of going to France. Actually, I’ve been thinking about my holidays for some time, but now it looks as though I’m going to have to plan another trip as well, and all because of this exhibition.

It’s called Art for All, and it’s an exhibition of British transport posters at the Yale Center for British Art, which is a part of the University.

Now at first I found myself a bit surprised and bemused that Yale could be bothered to have a collection of transport posters (a bequest, apparently see below*). But then I look at something like this 1932 Newbould,

and realise that it’s not a million miles away from a Stubbs or a Gainsborough in its depiction of a very specific kind of horsey Britishness.

To be fair to them, though, the exhibition – or at least the collection of images that they’ve chosen to promote it – isn’t packed to the gills with landscapes and posh people. In fact, if anything, it’s more on the side of modernism. There’s plenty of McKnight Kauffer, and also these delightfully a-typical Newboulds from 1933 (I wonder if he got bored of fields, villages and market towns too).

The Jazz Age made incarnate by fish. You can’t beat that, can you. Or this Tom Purvis, with an unusually subtle colour-scheme.

I also like the fact that the curators don’t seem to believe that all good design evaporated after the Second World War. They’ve included this 1956 Unger,

As well as this even later – 1965 – Abram Games.

Even better, they’ve not just gone for name designers and known posters. Also included is this 1933 gem by Anna Katrina Zinkeisen.

All of these were part of the Henry S Hacker bequest to Yale. I think I rather like his taste.

So, if you are in the U.S., it would be worth quite a detour to see this lot – and more, there are over 100 in the show in total. The show runs from next week until August 15th, so you’ve got plenty of time. And if you do make it, I’d love to hear what it’s like.

If you’ve been wondering in the meantime why I’m thinking French thoughts, it’s because the exhibition transfers to the Musée de L’Imprimerie, Lyon, France: October 15, 2010–February 13, 2011. Which is slightly more accessible by Eurostar than Yale.

But if even that seems too daunting, there’s also a book – Art for All: British Posters for Transport (Yale Center for British Art). More on that when it arrives.

*Thanks to a very forgiving email from Henry Hacker himself, I now know that it isn’t a bequest, and that Henry Hacker is still very happily collecting posters. Which makes his gifts even more generous.

Different trains of thought

railway posters

Another online archive of lovely posters for your education and enlightenment today. But, nothing is straightforward in this world, so this is another archive with its own quirks and priorities. Here, though, they’re more understandable, because this archive isn’t meant for the likes of you and me. It’s the National Railway Museum poster collection, and it’s designed for railway buffs.

Whitley Bay, Amstutz, 1954

Wondering what I am talking about? Try here. This is the main search page for the NRM’s poster collection, your gateway to more than ten thousand railway posters. Now I might want to search these by date, or by the subject of the poster, or even by the designer. Not a chance. I can filter them by category (of which there is only one, All, which is philosophically quite interesting), or I can sort them by railway company. So should I ever want to see every poster for the Axminster and Lyme Regis Light Railway, I am fine. Should, however, my life not be organised in terms of various railway operators I am rather up the Swannee.

Morecambe, Lance Cattermole, 1960

It’s such a radically different perpective on the world that it makes me laugh rather than drives me to fury. Although this is mainly because there are a couple of get-arounds by which I can find what I am looking for. The first is the search box in the top right corner. Although this searches the entire site, not just the poster collection, “Morecambe poster” or “Amstutz poster” generally gets you a full list of results, even if in text form, usually including several repetitions, and with only about half a chance of an image when you click on the individual object.

Lincolnshire, Tom Purvis, no date

But not even this isn’t as infuriating as it might be. Because, elsewhere, there is a much better search engine. The National Museum of Science and Industry runs not only the NRM, but also the Science Museum and the National Media Museum. And it too has a search engine – although, wierdly, I can’t find any way of accessing it from their home page. Perhaps it’s a secret and I’m not meant to be using it. In which case, apologies.

From this, you get a much neater page of search results, with thumbnail images where they exist. Plus, as an added bonus, your search can also turn up some additional Science Museum holdings, like this cheerful little Eckerlsey Lombers for the Ministry of Food.

What’s odd about these two search pages though, is that they don’t turn up the same results. (This next bit may end up being a bit geeky, so if you’re not interested, skip on a bit). The NRM search will miss out lots of items. Say you run a search like “studio seven” (I would recommend it, incidentally, as you can see from the results below). This 1958 Studio Seven poster appears when you search on the NMSI.

But doesn’t when you search the NRM – only if you search for “Dover Studio Seven”. And even then, there isn’t an illustration or a date. The same happens with this poster.

From which we could perhaps conclude that the NMSI search engine is a superior thing and the NRM one a bit random. Which is probably true. But what is more than passing strange is that even when each search engine comes up with the same thing, the pictures are different. The NMSI has proper scans.

Studio Seven, Minehead 1962

Whereas the NRM have flattened the poster with a bit of perspex, taken a picture and said, will this do? (Much like we do, I admit, but then we’re not a national institution in charge of a major archive.)

Now I’m not just doing this to poke fun at the NRM, there is a point. The pictures show that these two search pages aren’t just different ways into the same database, they’re totally separate entities. Which means that all of this information, on ten thousand posters and lord alone knows how many engines, sprockets and pictures of stations, has been catalogued twice. At best it’s a waste of time, at worst it must have cost an awful lot of unnecessary money. Or maybe there is a good reason for this, and I have missed it, in which case I’d like to know.

Studio Seven, Rhyl, 1955

So, nerdy bit over, there is still a rather wonderful and under-used collection to be found at the NRM, whichever search engine you view it through. And it’s another example of how the internet can do things for museums that a building can’t. If you go to the NRM hoping to see posters (as Mr Crownfolio and I, sad cases that we are, did on our honeymoon) you will be disappointed, as only a tiny proportion of what they hold will be on show. Surf the archives though, and you can look at whatever you like. If you can find it.

Studio Seven, By Train to London, 1960