Continuation

So, time for another attempt at reaching the summit of the Onslows auction.  There was certainly a fair amount left out of my last post.  Not least this Lander poster, which I am contractually obliged to reproduce on the blog once every few months.

Lander (Eric dates unknown) The English Lakes, original poster printed for BR(LMR) by Waterlow
Eric Lander, est. £700-1,000

This time it gets in because of the rather juicy estimate.  Perhaps Lander is now becoming the new Tom Eckersley, perhaps everyone wants their sitting-room to look just like mine.  Who can tell.

Elsewhere, there is also this McKnight Kauffer, which is interesting because it’s not one which comes up very often in auctions or in books, and is also very fine in its Bloomsbury-ish kind of way.

E McKnight Kauffer (1890-1954) Now the pine-tree's waving top, original poster printed for London Transport by Vincent Brooks Day 1932
McKnight Kauffer, 1932, est. £200-300

It has a pair, or companion too.

E McKnight Kauffer (1890-1954) Look under the broad beech tree !, original poster printed for London Transport by Vincent Brooks Day 1932
McKnight Kauffer, 1932, est. £200-300

There are a couple of other unexpected London Transport productions as well, like this poster celebrating London’s Statues (which I assume was once one half of a pair poster).

George Chapman Statues, original poster printed for London Transport by W&S 1955 - 102 x 63 cm
George Chapman, 1955, est. £100-150.

I’ll be interested to see what that goes for, at least in comparison to the Henrion.  They both have the same estimate, but there’s no doubt in my mind that the Henrion is a much better poster, even if it is slightly un-nerving to live with.  Am I right though?  There’s only one way to find out…

I also like this little Herry Perry too.

Heather (Herry)Perry (1993-1962) Dining Out Your Car original vintage poster printed for Green Line 1934
Herry Perry, 1934, est. £100-150.

While this Hans Unger is, I know, a railway poster, it feels more as though it belongs with this batch instead.

Hans Unger (1915-1975) Starlight Special, original poster printed for British Transport Commission by Waterlow 1960
Hans Unger, 1960, est. £70-100

Unger also designed this undated Ideal Home poster.

Hans Unger (1915-1975) Daily Mail Ideal Home Exhibition Olympia, original poster printed by S H Benson
Hans Unger, est £50-100

But the main category which was left out of last week’s post is World War Two posters.  As usual with Onslows, there is a good selection up for auction (there are also a smattering of First World War ones in there too but I can’t warm to them I’m afraid).

Probably the best-known of them is this Abram Games design.

Abram Games your britain fight for it now vintage WW2 poster 1942
Abram Games, 1942, est £700-1,000

‘Your Britain – Fight For It Now’ is one of the most famous series of posters produced during World War Two, and are worthy of a blog post all to themselves one of these days, because their fame and constant reproduction gives a slightly misleading view of British propaganda during the war.  But that’s another story for another day.

They also have an air of glamour about them for having been banned, as the Onslows catalogue relates:

Along with two other similar posters by Games this poster design was criticised by the War Office and withdrawn after initial distribution to the Army and display at the Harrod’s poster exhibition . This is a rare poster and is the only copy we have offered for sale.

Now I had always been under the impression (and have posted accordingly on here) that it was only one of Games three posters, that of Finsbury Health Centre below, which had been banned.

Abram Games abca Finsbury Health Centre rickets vintage ww2 poster

Allegedly Churchill objected to the portrayal of the child with rickets, calling it libellous on the state of Britain and insulting to the serving serviceman to say that these were the conditions prevailing in his home country.

But I might be wrong, so please do get in touch if you can clear this up one way or the other.

There are also a nice selection of Dig for Victory posters.  This, my favourite, comes up twice.

Norman Wilkinson vintage dig for victory poster 1940
Norman Wilson, 1940, est £200-300

So there’s no excuse for not having a copy.  Imagine how enticing that cornucopia of vegetables must have looked while almost everthing else was rationed.

I’m sure there are plenty more posters I should have included in here, but I’ve nearly exploded my brain just getting this far.  So if you’ve got anything to add, the comment box is below and I’d love to hear about it.  Now, if you’ll excuse me, I’m going to lie down.

AP, again

While everything is in flux here at Quad Royal central (I am writing this in a room already stacked with boxes and wev’e still got a week to go) I thought I would dig out a few posts from the earlier days of the blog which are worth revisiting, especially as not everyone will have seen them first time round.  This one seemed like a good place to start, especially as it was Artist Partners’ own website who first alerted me to the existence of the Patrick Tilley posters.

Sometimes, writing about posters can feel like a constant harking back to a golden age of British graphic design, long since lost to the evil forces of photography, Photoshop and general bad taste.  But not everything from that time has disappeared.

Like Artist Partners for example, who are not only still going but have set up a usefully informative website which covers their past as well as their present.  And their past was very glorious indeed.

Founded in 1950, the agency represented some of the biggest names in illustration, graphics and photography from the fifties onward.  There’s no point repeating their entire history, because they’ve done the job already.  Although I was particularly interested to see that Reginald Mount was one of the founding partners.  He’s a fascinating character who seems to pop up at all sorts of interesting points in the history of graphics, and I’d be interested in finding out more about him one of these days.

They’ve put together a small retro section on their website as well, with a few nice images, like these Sunday Times advertisements by Patrick Tilley.

Patrick Tilley vintage sunday times advertisement Patrick Tilley vintage sunday times ad

But it’s not the website that made me want to post about them, it’s this (the cover also, incidentally, designed by Tilley), which we’ve had on the bookshelves for a while now.

Cover of Artist Partners graphic design brochure

Dating from, I guess, the early to mid 50s, it’s a brochure for the artists represented by AP, and a very delightful book in its own right.  Here’s one of the section headings for example.

Divider from Artists Partners graphics book

Or this one, by none other than Tom Eckersley

Eckersley Artist Partners graphics book divider

Oh to be sitting at at an advertising agency desk in 1954 and trying to decide who to commission.  Because there is such as wealth of wonderful talent in this book.  Amongst other people, Artist Partners represented Eckersley, Hans Unger, George Him, Eileen Evans, and of course Reginald Mount.  And even Saul Bass.  Here’s a trade advertisement for Enfield Cables.

Saul Bass Enfield Cables ad Artist Partners book

And a rather fetching advertisement for Technicolour by George Him.

AP George Him technicolour ad

My main sadness is that it’s only partially in colour, because there are simply hundreds of pieces which I haven’t ever seen before.  For every page like this

AP content various

(Two Hans Ungers – one GPO, one London Transport, a Leupin and another Patrick Tilley)

there are ten like this.

AP eckersley page

I’ve managed to find the peas one in colour at least for your entertainment.

Tom Eckersley Hartleys peas graphics

That’s more than enough for now, but I’ve still only barely scratched the surface of this wonderful book.

Pursued

I found these while looking for something else altogether on the LT museum poster site. And I’ve never seen them before.

Vintage Eckersley Lombers Lonndon Transport poster Museum 1938

They’re a rather surprising departure by Eckersley-Lombers and date from 1938.

Vintage Eckersley Lombers Lonndon Transport poster Museum 1938

The design reminds me more of book covers of the period than posters.  But it’s great.

While we’re in the domain of London Transport design, there’s also this post-war Unger.

Hans Unger vintage London Transport poster fish Southend wonderfullness

It came up on eBay, and so Mr Crownfolio and I thought we’d invest some of our selling proceeds in it.  But then who could resist a poster which, as well as showing a fabulous and only marginally relevant fish, also manages to rhyme Dorking and torking?  Not us, that’s for sure.

Next time, unbelievable quantities of posters for sale on eBay and elsewhere.  So many in fact that I don’t have enough time to fit them into a post today.  See you then.

Over-modern and over here

An interesting comment appeared a week or so ago on a older post about Beverley Pick.

He was a man.  Bless him… He was my uncle and a very clever man..He also did the original Moby Dick… Beverley was originally from Austria and lived many years in Sunningdale during the winter. Autumn he would visit his House in Cork and in his latter years he and his wife would live in France where they had a gorgeous home. He is now buried in the Churchyard at Sunningdale. There was so much to this man we will never know it all…

I’ve written to Odile Walker, who posted those intriguing memories, and I hope she’ll come back and tell us more.  But in the meantime, one thing that I never knew stands out.  Despite his British-sounding name, Beverley Pick was an emigré from Austria.

Beverley Pick pig waste vintage WW2 propaganda poster
Beverley Pick, WW2 poster

Now, I’ve been thinking for a while about the degree to which post-war British graphic design was shaped by people who were one way or another foreigners. There are so many of them that it would be hard not to really.  But finding that this is also true for Beverley Pick has pushed me into action.

So here is a roll call of as many emigré designers as I can think of who worked in the UK in the decade or so after the war.  It’s an impressive selection. With, for no particular reason other than that’s the way it turned out, lots of GPO posters as examples.

Andre Amstutz

Whitley bay poster Andre Amstutz vintage british railway poster
British Railways, 1954

Dorrit Dekk

Dorrit Dekk vintage GPO wireless licence poster 1949
GPO, 1949

Arpad Elfer

Arpad Elfer design for DH Evans poster 1954
D H Evans, 1954

Abram Games

Abram Games vintage London Transport poster at your service 1947

F H K Henrion

Henrion Artists and Russia Exhibition 1942
1942

H A Rothholz

H A Rothholz stamps in books poster vintage GPO 1955
GPO, 1955

Pieter Huveneers

Pieter Huveneers fleetwood poster 1950 vintage railway poster
British Railways, 1950

Karo

Karo vintage GPO soft fruits by post poster 1952

Heinz Kurth

Heinz Kurth design for Artist Partners brochure divider
Artist Partners

Lewitt-Him

Lewitt Him Pan American vintage travel Poster

Manfred Reiss

Manfred Reiss vintage GPO poster 1950
GPO, 1950

Hans Schleger

Hans Schleger vintage GPO ww2 poster posting before lunch
GPO, 1941

Hans Unger

Hans Unger 1951 vintage GPO poster
GPO, 1951

Together they make up pretty much half the content of this blog most months.  And I am sure that there are plenty more I have left out – please feel free to remind me who they are.

That’s all I am going to say for now, partly because this is quite long enough as it is, but also because I am in the process of working out what the story might be.  So if you have any thoughts on why British design became such an emigré profession, I’d love to hear those too.

Door 19

Hans Unger yesterday, Hans Unger today.  The GPO certainly kept him busy in the 1950s and 60s.

Hans Unger vintage post early poster GPO 1958

He designed this in 1958, and very lovely it is too.  But please don’t set fire to any post boxes on its account, that would be very inconsiderate.

the 18th

Today is the last posting day for Second Class Post, so in honour of that, not one but two posters.

Hans Unger vintage GPO poster post early 1952

Interestingly, they are both from 1952.  The smiling Christmas trees above are by Hans Unger, while the festive present train below was designed by T Davis.

T Davis vintage GPO post shop early poste r1952

Two in one year is a bit unusual, but the BMPA catalogue suggests that the Davis poster was designed to go in shop windows rather than post offices.  So off you go then,there’s still time.